
1986 · Roland Joffé
How The Mission has been received, argued over, and remembered.
It won the Palme d'Or at Cannes in 1986, then landed to mixed reviews and a soft box office — critics called it gorgeous but ponderous. Decades on, it's been warmly reclaimed, though partly on the shoulders of a score whose fame now towers over the film itself.
The perennial fight: is it a genuinely great spiritual epic, or a beautiful, Morricone-carried postcard — and does its missionary-centred telling of colonial history hold up?
Ennio Morricone's 'Gabriel's Oboe' escaped the film entirely — endlessly performed at concerts and weddings and reborn as the song 'Nella Fantasia,' it's one of the most beloved pieces of film music ever written. The image of Iguazu Falls with a crucified missionary going over the edge is the other thing everyone remembers.
A curious case of the-score-is-more-canon-than-the-film: a Palme d'Or winner that cinephiles respect, church-film polls adore, and Morricone devotees treat as scripture.