Sightlines · reception

How The New World was received

2005 · Terrence Malick · The New World on Sightlines

The arc

Dismissed by many as a box-office flop and a beautiful bore in 2005, it's since become one of cinema's great reappraisal stories — now a fixture on best-of-the-21st-century lists and routinely called Malick's masterpiece.

What’s debated

The eternal Malick split — transcendent visual poetry to believers, ponderous whispered voiceover to skeptics — plus the cinephile sub-debate over which of its multiple cuts is definitive.

Its footprint

Its opening — Wagner's Das Rheingold prelude swelling over water and sky — is one of the most swooned-over sequences in modern cinema, and Emmanuel Lubezki's natural-light photography became a touchstone for a generation of cinematographers.

Where it stands

A canon climber par excellence: the flop that cinephiles willed into the pantheon, now a Letterboxd 'trust me, watch it on the biggest screen you can' favorite.

Did you know? The film exists in three distinct cuts — Malick trimmed his ~150-minute premiere version to 135 minutes for wide release, then assembled a 172-minute extended cut for home video — and newcomer Q'orianka Kilcher was just 14 when she was cast opposite Colin Farrell.

A Deleuzian reading of The New World →