
2005 · Terrence Malick
How The New World has been received, argued over, and remembered.
Dismissed by many as a box-office flop and a beautiful bore in 2005, it's since become one of cinema's great reappraisal stories — now a fixture on best-of-the-21st-century lists and routinely called Malick's masterpiece.
The eternal Malick split — transcendent visual poetry to believers, ponderous whispered voiceover to skeptics — plus the cinephile sub-debate over which of its multiple cuts is definitive.
Its opening — Wagner's Das Rheingold prelude swelling over water and sky — is one of the most swooned-over sequences in modern cinema, and Emmanuel Lubezki's natural-light photography became a touchstone for a generation of cinematographers.
A canon climber par excellence: the flop that cinephiles willed into the pantheon, now a Letterboxd 'trust me, watch it on the biggest screen you can' favourite.