
1978 · Alan Parker
How Midnight Express has been received, argued over, and remembered.
A massive hit in 1978 — six Oscar nominations, two wins, and one of the year's most talked-about films — but its lurid demonisation of Turks aged badly fast; it's now the textbook case of the acclaimed film that became a national-stereotype scandal, with both screenwriter Oliver Stone and the real Billy Hayes later apologising to Turkey.
Fans still argue whether it's a gut-punch prison masterpiece or an irredeemably racist caricature you have to hold at arm's length — the definitive problematic-fave debate of 70s cinema.
Giorgio Moroder's pulsing synth score ('The Chase' was an actual hit single) outlived the controversy and became a club and sampling touchstone, and the film single-handedly cemented the 'Turkish prison' trope in pop culture — Turkey banned the film and blamed it for years of damaged tourism.
A canon fixture with an asterisk: essential Alan Parker and essential 70s, but almost always discussed alongside its politics rather than despite them.