
2006 · Ken Loach
How The Wind That Shakes the Barley has been received, argued over, and remembered.
Won the Palme d'Or in 2006 while the British tabloids torched it as anti-British propaganda — one columnist famously attacked it while admitting he hadn't seen it. Two decades on it's settled in as peak Ken Loach and a cornerstone of Irish cinema, with a fresh wave of Letterboxd love from Cillian Murphy's post-Oppenheimer fandom.
The forever-fight is political, not cinematic: is it clear-eyed history or a republican thumb on the scale — and fans still square it off against Michael Collins as the definitive screen take on the Irish War of Independence.
It's the go-to reference point for the Irish revolutionary period on film, its title borrowed from a 19th-century ballad — and its reception became a story in itself, shorthand for British press outrage at films they haven't watched.
Widely held up as Loach's masterpiece and 'essential Irish cinema,' now doubling as the prestige deep-cut on every Cillian Murphy completist's list.