Sightlines · reception

How Kitchen Stories was received

2003 · Bent Hamer · Kitchen Stories on Sightlines

The arc

A warm word-of-mouth hit from the start — it premiered in the Directors' Fortnight at Cannes 2003 and became Norway's Oscar submission — and it has since settled into 'hidden gem' status, the film Scandinavian-deadpan fans press into each other's hands.

What’s debated

The gentle recurring split: is its near-silent stillness quietly profound, or is this the coziest film in which almost nothing happens?

Its footprint

Its one indelible image — a researcher perched on a towering umpire-style chair in the corner of a bachelor's kitchen, silently taking notes — is the shorthand everyone uses for the film, and for absurd social science in general.

Where it stands

A beloved-but-under-seen cult favorite of the Nordic deadpan tradition, routinely filed alongside Kaurismäki and Roy Andersson in 'gentle films for a bad day' lists.

Did you know? The absurd premise is rooted in fact: Sweden's postwar Home Research Institute really did send observers to study housewives' kitchen movements in order to design the rationalized modern kitchen — the film just imagines the study exported to single Norwegian men.

A Deleuzian reading of Kitchen Stories →