
1990 · Penny Marshall
How Awakenings has been received, argued over, and remembered.
A hit in 1990 with three Oscar nominations including Best Picture, though some critics wrote it off as sentimental awards bait; it's since settled into warm affection, remembered as a peak of Robin Williams' dramatic turn and Exhibit A in the 'Penny Marshall never got her due' conversation.
The perennial fight is whether it's an honest, deeply moving adaptation of Oliver Sacks or a Hollywood tearjerker that sands down his book — plus the recurring gripe that Marshall was snubbed for Best Director despite the Best Picture nod.
It's the film that made Oliver Sacks a household name, and 'Awakenings' became cultural shorthand for the miracle-recovery-that-may-not-last story; it also anchors the Williams-can-really-act canon alongside Dead Poets Society and The Fisher King.
A beloved-but-underdiscussed 90s prestige weepie — less canonised than rewatched, and a reliable 'De Niro's most underrated performance' pick on Letterboxd.