
1980 · Michael Cimino
How Heaven's Gate has been received, argued over, and remembered.
In 1980 it was the flop that killed United Artists and became shorthand for directorial hubris, yanked from theatres after savage reviews; the 2012 restoration premiered at Venice to acclaim, and it's now widely reappraised as a flawed-but-genuine epic — one of cinema's great redemption arcs.
Cinephiles still split hard on whether it's a rediscovered masterpiece or a beautiful, bloated disaster that deserved its reputation — and whether the legend of its failure has unfairly swallowed the film itself.
Its title became an industry noun — for decades any runaway production was 'another Heaven's Gate' — and Steven Bach's book *Final Cut* turned its making into the definitive cautionary tale of New Hollywood's collapse.
A canon climber and Criterion-anointed cause célèbre: the ultimate 'actually, it's good' film that cinephiles love to champion precisely because the world once agreed it was a catastrophe.