
1985 · Woody Allen
How The Purple Rose of Cairo has been received, argued over, and remembered.
A critical darling on release in 1985 — it won the BAFTA for Best Film and the César for Best Foreign Film despite modest box office — and its stock has only risen since, now routinely ranked among Woody Allen's two or three best.
Fans endlessly debate the famously bittersweet ending — some call it the most quietly devastating gut-punch in any comedy, others can't forgive it — all wrapped inside the larger argument over engaging with Allen's work at all.
It's the ur-text for characters stepping off the movie screen — invoked whenever fiction breaches the fourth wall, from Last Action Hero to Pleasantville — and Mia Farrow's rapt face in the flickering projector light is one of cinema's defining images of moviegoing itself.
A cinephile touchstone — the go-to pick for 'movies about loving movies' lists and a frequent answer to 'what's actually Allen's best?'