
1985 · Martin Scorsese
How After Hours has been received, argued over, and remembered.
In 1985 it looked like a minor detour — a small, scrappy comedy from a director in career limbo after Paramount pulled the plug on The Last Temptation of Christ — even though it won Scorsese Best Director at Cannes. Now it's fully reappraised as one of his best: a Criterion edition, a Letterboxd darling, and the template for every 'one bad night' movie since.
The eternal fan debate: is After Hours Scorsese's secret masterpiece — a film so routinely called 'his most underrated' that people now argue it can't possibly be underrated anymore.
It's the founding text of the 'yuppie nightmare' comedy and the go-to shorthand for any nocturnal, everything-goes-wrong odyssey — 'it's very After Hours' is a working adjective among film fans, and Paul's exasperated 'I just wanted to leave my apartment!' energy is endlessly memed.
A cult object turned canon climber: the consensus deep-cut pick when cinephiles are asked for a non-obvious favorite Scorsese, cemented by its 2023 Criterion release.