
1974 · Shūji Terayama
How Pastoral: To Die in the Country has been received, argued over, and remembered.
For decades it was a hard-to-see artifact of Japan's ATG avant-garde scene, known mostly to Terayama devotees; the streaming/Letterboxd era turned it into a rediscovered jewel, now routinely ranked among the most visually stunning films ever made.
The perennial fan debate is whether Terayama out-surrealists Jodorowsky — 'Holy Mountain fans, watch this instead' is practically a genre of Letterboxd review — versus those who find it style-drunk and impenetrable.
Its hyper-saturated, painted-face carnival imagery is endless screenshot fodder — a fixture of 'most beautiful frames in cinema' lists and aesthetic accounts, often shared by people who haven't yet seen the film.
A cult object turned canon climber: the consensus 'you must see this' entry point to Japanese experimental cinema, and a quiet Letterboxd favourite with ratings most classics would envy.