
2012 · Carlos Reygadas
How Post Tenebras Lux has been received, argued over, and remembered.
Booed at its Cannes premiere in 2012 — and then won Reygadas Best Director anyway, one of the great jury-vs-audience trolls of the decade. It's since settled into 'misunderstood masterpiece' territory for a devoted slow-cinema crowd, though the walkout contingent never fully surrendered.
The eternal fight: is this a profound dream-logic self-portrait or arthouse self-indulgence at its most punishing — and does the glowing red devil clinch the case for either side?
That luminous CGI devil padding through a house with a toolbox is the film's calling card — endlessly screenshotted, memed, and used as shorthand for 'festival cinema at its weirdest.' The blurred, doubled edges of its boxy frame are almost as recognisable.
A cult object and cinephile litmus test — the kind of film Letterboxd reviewers invoke to sort the true believers from the tourists.