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Post Tenebras Lux poster

Post Tenebras Lux · reception & legacy

2012 · Carlos Reygadas

How Post Tenebras Lux has been received, argued over, and remembered.

The arc

Booed at its Cannes premiere in 2012 — and then won Reygadas Best Director anyway, one of the great jury-vs-audience trolls of the decade. It's since settled into 'misunderstood masterpiece' territory for a devoted slow-cinema crowd, though the walkout contingent never fully surrendered.

What's debated

The eternal fight: is this a profound dream-logic self-portrait or arthouse self-indulgence at its most punishing — and does the glowing red devil clinch the case for either side?

Its footprint

That luminous CGI devil padding through a house with a toolbox is the film's calling card — endlessly screenshotted, memed, and used as shorthand for 'festival cinema at its weirdest.' The blurred, doubled edges of its boxy frame are almost as recognisable.

Where it stands

A cult object and cinephile litmus test — the kind of film Letterboxd reviewers invoke to sort the true believers from the tourists.

★ Did you know? Reygadas cast his own young children, Rut and Eleazar, in central roles and shot much of the film in and around his own home in rural Mexico.