
1938 · Sergei Eisenstein
How Alexander Nevsky has been received, argued over, and remembered.
A state-sanctioned smash in 1938 that rehabilitated Eisenstein after years in official disgrace — then yanked from Soviet screens in 1939 when the Nazi-Soviet pact made its anti-German fury inconvenient, and triumphantly re-released the moment Hitler invaded in 1941. Today it's canon, though often ranked a notch below Potemkin as 'the accessible Eisenstein.'
Is it a compromised propaganda job Eisenstein made to survive Stalin, or proof that a masterpiece can be both — with a side debate over whether Prokofiev's score outshines the film itself.
The Battle on the Ice is one of cinema's most imitated sequences — its DNA is in decades of medieval and winter battle scenes — and Prokofiev's music escaped the film entirely, living on in concert halls as the Alexander Nevsky cantata.
A film-school staple and Criterion-era fixture: the Eisenstein people actually enjoy rather than study, even if cinephiles rank it below his silents.