
1986 · Neil Jordan
How Mona Lisa has been received, argued over, and remembered.
A critical hit from the start — Cannes prize, Oscar nomination — and it's largely held that reputation, now standing as a peak of 1980s British cinema and the film people reach for when arguing Bob Hoskins was one of the great screen actors.
The evergreen debate is whether Hoskins was robbed at the 1987 Oscars, where his sweep of Cannes, BAFTA and the Golden Globe ended with the Academy handing Best Actor to Paul Newman for The Color of Money.
It's forever entwined with Nat King Cole's 'Mona Lisa,' which drifts through the film and retitled the whole thing a mood; it's also a touchstone for 'Michael Caine playing genuinely frightening' and a crown jewel of George Harrison's HandMade Films.
A canonical British neo-noir — beloved by cinephiles as Hoskins's towering hour and a key early Neil Jordan, though it feels under-watched relative to its reputation.