
1976 · Nicolas Roeg
How The Man Who Fell to Earth has been received, argued over, and remembered.
Critics in 1976 were largely baffled — the US release was cut by roughly 20 minutes, which didn't help — but decades of restorations and reappraisal have turned it into a canonised landmark of 70s art-house sci-fi.
The perennial fight: is Roeg's fractured, elliptical editing visionary or just incoherent — profound alien melancholy, or a gorgeous mess carried by Bowie's face?
Its images bled straight into music history — stills of Bowie as Thomas Jerome Newton became the album covers of both Station to Station and Low, and Bowie returned to the character for his 2015 stage musical Lazarus.
A cult cornerstone of the Bowie-cinephile canon — the essential 'rock star as alien' text and a rite of passage for fans of 70s art sci-fi.