
2011 · Terrence Malick
How The Tree of Life has been received, argued over, and remembered.
Its Cannes premiere in 2011 was famously met with a mix of boos and applause — then it won the Palme d'Or, and within a decade it was topping best-of-the-century lists (the BBC's 2016 critics' poll ranked it #7 of the 2000s). Few films have gone from walkout-bait to consensus canon this fast.
The eternal split: transcendent masterpiece or gorgeous, pretentious slog — with the dinosaur interlude and the Sean Penn scenes as the perennial flashpoints.
It minted the 'Malick shot' — whispered voiceover, magic-hour light, hands brushing through wheat — now endlessly parodied and imitated in everything from perfume ads to spoof trailers. One Connecticut cinema even posted a sign warning patrons no refunds would be given.
A Palme d'Or winner turned Letterboxd rite of passage — the divisive art film you're expected to have wrestled with, whichever side you land on.