
1978 · Raúl Ruiz
How The Hypothesis of the Stolen Painting has been received, argued over, and remembered.
A cause célèbre with French critics on release — it's the film that turned Ruiz from Chilean exile into darling of the Cahiers du cinéma crowd — it then spent decades as a hard-to-see rumour before resurfacing as a canonical puzzle-film for a new generation of cinephiles.
The perennial split: is it a genuinely profound meditation on how we read images, or the driest, most elaborate intellectual prank ever committed to film?
Its tableaux vivants — actors frozen mid-pose as living paintings while a narrator circles them — are its endlessly referenced image, and it's become a standard comparison point whenever a film treats paintings as crime scenes to be decoded, alongside Marienbad and Greenaway.
A capital-C cult object and the traditional entry point into Ruiz's intimidating hundred-plus filmography — the 'start here' answer whenever someone asks where to begin.