Sightlines · reception
How Modern Romance was received
1981 · Albert Brooks · Modern Romance on Sightlines
The arc
It barely made a ripple in 1981 — Columbia had no idea how to sell a comedy this uncomfortable — but decades of cringe-comedy (Curb, Apatow, every toxic-boyfriend indie) have revealed it as the ur-text, and it's now routinely called one of the great American comedies of the '80s.
What’s debated
The eternal fight is whether it's even watchable: is Robert Cole's jealousy so excruciating that the film is secretly a horror movie about a relationship, or is that exactly the point?
Its footprint
The solo Quaalude night — Brooks wandering his apartment, calling women, buying vitamins and a jogging wardrobe to 'start over' — is one of comedy's most referenced breakup sequences, and the film is constantly invoked as the missing link between Woody Allen and Curb Your Enthusiasm.
Where it stands
A comedy-nerd password more than a mainstream classic: beloved-but-underseen, the film cinephiles cite to prove Albert Brooks was doing cringe decades early.
Did you know? Stanley Kubrick, a fan of the film, called Albert Brooks to say Modern Romance was the movie about jealousy he'd always wanted to make — a preoccupation he eventually pursued in Eyes Wide Shut. (Bonus casting note: the sporting-goods salesman upselling Brooks is his real-life brother, Bob Einstein.)