
1971 · Werner Herzog
How Land of Silence and Darkness has been received, argued over, and remembered.
Barely seen on release — a small, self-funded documentary from a not-yet-famous Herzog — it's since climbed to the point where many critics and Herzog himself rank it among his very best work, often above the features that made his name.
The perennial fight it starts: Herzog admitted he scripted some of his deaf-blind subject's most poetic lines, so fans still argue whether that's documentary malpractice or the founding act of his 'ecstatic truth' philosophy.
Its final image — a deaf-blind man drifting away from the group to embrace a tree — is one of the most cited endings in documentary history, the go-to example when cinephiles talk about wordless, devastating closers.
A deep-cut passport stamp among Herzog devotees: the documentary that people who've 'really' worked through his filmography insist is his masterpiece.