Sightlines · reception

How The Last Samurai was received

2003 · Edward Zwick · The Last Samurai on Sightlines

The arc

Dismissed by many in 2003 as 'Dances with Wolves in Japan' — a handsome Oscar-season also-ran — it's since been reappraised as one of the last great old-school historical epics, with defenders pointing out it was warmly received in Japan itself.

What’s debated

The eternal fight: is it a textbook white-savior movie, or do the people making that joke misread it — since Cruise's character isn't actually the 'last samurai' of the title?

Its footprint

The title itself became the meme — 'Tom Cruise is the last samurai??' jokes are a genre unto themselves, endlessly rebutted by fans noting 'samurai' is plural and refers to Katsumoto and his men; Hans Zimmer's score lives on in trailers and study playlists.

Where it stands

A beloved dad-movie epic and comfort rewatch — not quite canon, but the film cinephiles keep sheepishly admitting is better than its reputation.

Did you know? The film was a bigger hit in Japan than in America — its Japanese box office actually exceeded its entire US domestic gross, and it launched Ken Watanabe from near-unknown in the West to an Oscar nomination.

Named by the director

  • Akira Kurosawa — Zwick repeatedly cited his lifelong love of Kurosawa's samurai films as the wellspring for the project.

A Deleuzian reading of The Last Samurai →