
2011 · Kelly Reichardt
How Meek's Cutoff has been received, argued over, and remembered.
Famously divisive on release — its glacial pace prompted walkouts and even refund demands from arthouse audiences even as critics swooned at Venice 2010 — it's since been canonised as one of the great 21st-century westerns and a cornerstone of Kelly Reichardt's reputation.
The abrupt, unresolved ending is the eternal flashpoint — half of film Twitter calls it the whole point, the other half still feels robbed.
It's the standard citation in the 'slow cinema' and aspect-ratio conversations — the boxy 1.33:1 frame and those bonnet-shrouded women are among the most discussed formal choices in modern American indie film.
A Letterboxd-era canon climber: a fixture on best-westerns-of-the-century lists and the film people reach for when arguing Reichardt is a major American director.