
2018 · Milorad Krstić
How Ruben Brandt, Collector has been received, argued over, and remembered.
A festival curio at Locarno 2018 that Sony Pictures Classics gambled on for a small US release, it's since become a word-of-mouth discovery — the animated heist film art-history people keep pressing on each other.
The perennial split: is it a dazzling, dense love letter to art history or a two-hour game of spot-the-reference in search of a story?
It lives on as a 'spot the painting' challenge — the film packs in hundreds of artwork references, and its two-eyed-on-one-side-of-the-face Picasso-ish character designs are instantly recognizable in any screenshot.
A cult deep-cut of 2010s adult animation — a fixture of 'underseen animated films you must watch' lists rather than the mainstream canon.
Influences Milorad Krstić has publicly named — the director's own word, distinct from the inferred lines of influence.