
2021 · Wagner Moura
How Marighella has been received, argued over, and remembered.
It premiered at the 2019 Berlinale to warm applause abroad, then spent over two years unable to open in its own country amid regulatory stonewalling under the Bolsonaro government — so by the time Brazilians finally saw it in late 2021, it was less a biopic than a political event, and it's now remembered as an artifact of that era's culture war as much as a film.
The perennial fight: is it a vital act of resistance cinema, or a fairly conventional biopic whose reputation was supercharged by the attempt to suppress it?
It became a case study in politicized review-bombing — flooded with one-star ratings by Bolsonaro supporters before it had even opened in Brazil — and attending a screening at home was itself read as a political statement.
A touchstone of Bolsonaro-era Brazilian cinema and the answer to the trivia question 'what did Wagner Moura direct after Narcos?' — discussed as much for its suppression as for what's on screen.