
1987 · Eliseo Subiela
How Man Facing Southeast has been received, argued over, and remembered.
A breakout arthouse hit in the late-'80s wave of Argentine cinema that travelled internationally after The Official Story, it's now less widely seen than its reputation deserves — mostly rediscovered by people working backwards from K-PAX.
Nearly every discussion of this film becomes a K-PAX argument: fans insist the 2001 Kevin Spacey movie lifted its premise wholesale, and 'watch the original instead' is practically a genre of review.
Its cultural afterlife is inseparable from the K-PAX controversy — Subiela himself publicly accused the Hollywood film of copying his — and the asylum scene set to Beethoven's 'Ode to Joy' remains its signature, endlessly screenshotted image.
A cult touchstone of Argentine cinema — the 'you must see the original' film that cinephiles hand to anyone who liked K-PAX.