
1953 · Ingmar Bergman
How Summer with Monika has been received, argued over, and remembered.
Sold abroad as scandal — in the US it circulated in a butchered 62-minute cut retitled 'Monika, the Story of a Bad Girl' on the exploitation circuit — while the young French critics hailed it as a revelation; today it's a Criterion-canonised classic and the film that made Harriet Andersson a star.
Fans still argue over Monika herself — free spirit or villain of the piece — and whether the film judges her or dares you to.
Harriet Andersson's sudden, defiant look straight into the camera is one of cinema's most referenced shots — Godard famously called it the saddest in film history — and in Truffaut's The 400 Blows the boys swipe a lobby still of Andersson from a cinema.
A cinephile rite of passage: the go-to 'early Bergman' entry point on Letterboxd, beloved as the moment Bergman got young, sensual, and modern.