
1960 · Satyajit Ray
How Devi has been received, argued over, and remembered.
Scandalous at home in 1960 — orthodox Hindu groups accused Ray of attacking religion and lobbied to block the film from being shown abroad — it's now firmly ranked among his masterpieces, the standard answer to 'what's the great Ray film outside the Apu Trilogy?'
Fans still argue over what exactly it's indicting — religion itself, superstition, or the patriarchy that weaponises devotion — a debate that started with its release and never really ended.
The close-up of Sharmila Tagore's kohl-rimmed, incense-wreathed face is one of Indian cinema's most reproduced images — it turns up on posters, book covers, and retrospective programmes as shorthand for Ray himself.
A canon staple among cinephiles — the Ray film Letterboxd reviewers push on people who think his catalogue begins and ends with the Apu Trilogy.