
2017 · Matthew Vaughn
How Kingsman: The Golden Circle has been received, argued over, and remembered.
Critics who'd embraced the first film's cheeky excess turned on the sequel hard in 2017, calling it bloated and mean-spirited — and unlike many maligned sequels, it hasn't really been reclaimed since, though it did fine at the box office.
The evergreen fight is whether it's gleeful, knowingly vulgar fun or proof that Vaughn doubled down on the first film's worst instincts — with the notorious Glastonbury seduction scene as the flashpoint.
Its most enduring cultural artifact is Elton John's extended, gloriously foul-mouthed cameo as himself — routinely cited as the best thing in the movie and a highlight of the celebrity-playing-themselves genre.
It lives in cinephile memory as the divisive middle child of the Kingsman franchise — the sequel people bring up mainly to argue about, not to canonise.