
2017 · Hugh Welchman
How Loving Vincent has been received, argued over, and remembered.
It landed in 2017 as a critical split — jaws on the floor for the painted frames, shrugs for the detective-story framing — but audiences turned it into a surprise arthouse hit and it snagged an Oscar nomination for Best Animated Feature. Since then it's settled in as a one-of-a-kind technical landmark, with the Welchmans' follow-up The Peasants (2023) sending people back to it.
The forever-debate: is it a genuinely great film or a breathtaking gimmick — a hundred painters' labour draped over a story that critics kept calling thinner than the canvas.
It's the film your art teacher put on, and its shimmering Van Gogh-in-motion frames are endlessly clipped and GIF'd — the go-to visual shorthand for 'paintings coming alive' on film.
A Letterboxd sweetheart and animation-buff essential — beloved less as a story than as a 'can you believe humans made this' object.