
2015 · Martin Zandvliet
How Land of Mine has been received, argued over, and remembered.
It premiered at Toronto in 2015 to solid but quiet arthouse notices, then its Best Foreign Language Film Oscar nomination (for the 2017 ceremony) gave it a second life — since then it's become a word-of-mouth favourite whose audience rating outstrips its original profile.
The recurring debate is whether its sympathy for teenage German POWs is a brave moral reckoning with Denmark's postwar conduct or an unfair smear of the Danes — a controversy that ran hotter in Denmark than anywhere else.
It lives on as a fixture of 'most unbearably tense films ever' lists — the image of trembling hands over sand-buried mines is the thing everyone cites — and its English title is a grim pun the Danish original (Under sandet, 'Under the Sand') doesn't have.
A classic Letterboxd hidden gem: modest theatrical footprint, but a high user rating and a permanent slot in 'underrated war films you must see' threads.