
2015 · Mamoru Hosoda
How The Boy and the Beast has been received, argued over, and remembered.
A massive hit in Japan in 2015 — one of the year's biggest domestic earners, and it won the Japan Academy Prize for Animation of the Year — but overseas it landed as 'good, not Wolf Children,' and it's since settled into the middle of most Hosoda rankings.
Fans endlessly relitigate the third act, when the beast-world coming-of-age story detours back into the human world — half the audience calls it the point, the other half calls it the moment the film loses its way.
It's the film people reach for when arguing Hosoda does found-family and mentorship better than almost anyone — the grumpy master / stray kid pairing gets compared to everything from The Karate Kid to shonen anime staples.
Mid-table in the beloved Letterboxd sport of ranking the Hosodas — rarely anyone's favourite, almost never anyone's least favourite.