
1943 · Henri-Georges Clouzot
How Le Corbeau has been received, argued over, and remembered.
Attacked from all sides on release — the Vichy right and Catholic press called it immoral, and after the Liberation the Resistance press branded it anti-French, getting the film banned and Clouzot barred from directing for a time. Once the bans lifted in 1947 it was steadily rehabilitated, and it's now widely held up as one of the greatest French films of the Occupation era.
The debate that never dies: was it a work of collaboration made for a German-run studio, or a subversive portrait of denunciation-era France that hit too close to home?
It made 'corbeau' the standard French word for an anonymous poison-pen letter writer — a headline shorthand French media still uses whenever an anonymous-letter scandal breaks. Hollywood took notice too: Otto Preminger remade it as The 13th Letter in 1951.
A 'you must have seen this' of French cinema — proto-noir cornerstone, Criterion-canonised, and a fixture of Clouzot ranking lists where it duels Diabolique and The Wages of Fear for the top spot.