
1990 · Jane Campion
How An Angel at My Table has been received, argued over, and remembered.
It arrived as a humble TV miniseries and left Venice 1990 with the Grand Special Jury Prize — then spent years in The Piano's shadow before Criterion and Letterboxd rehabilitated it as, for many, Campion's true masterpiece.
The perennial Campion-heads debate: is this quiet three-hour biopic actually better than The Piano?
Janet Frame's halo of frizzy red hair is one of arthouse cinema's most instantly recognisable images, and the film sent readers worldwide to Frame's autobiographies.
A canon climber and certified Letterboxd darling — the 'actually her best film' pick for Campion devotees.