
2003 · Robert Pulcini
How American Splendor has been received, argued over, and remembered.
A Sundance Grand Jury Prize winner and critical darling in 2003 — it landed on scores of year-end top-ten lists — but it never crossed over commercially, so today it's less canonised classic than perpetual 'criminally underseen' rediscovery pick.
Fans still argue over whether its reality-hopping device (real Harvey alongside movie Harvey) is the smartest thing a biopic ever did or a gimmick that keeps you at arm's length — and it's a core exhibit in the eternal 'Paul Giamatti has never gotten his awards due' grievance.
It's the go-to reference whenever anyone praises an 'anti-biopic' — routinely name-checked alongside Adaptation and I'm Not There as proof the genre doesn't have to be cradle-to-grave mush — and it introduced a generation to Pekar's mantra that ordinary life is pretty complex stuff.
A cinephile handshake film: beloved by comics readers and Giamatti heads, a fixture of 'best films of the 2000s you haven't seen' lists rather than the mainstream canon.