
1987 · James Ivory
How Maurice has been received, argued over, and remembered.
In 1987 it was received as the 'lesser' Merchant Ivory, sandwiched between A Room with a View and Howards End and tagged as tasteful heritage cinema; the 2017 30th-anniversary 4K restoration — landing right as James Ivory's Call Me by Your Name screenplay hit — recast it as a landmark of queer cinema.
The perennial fight: was the 'stuffy costume drama' dismissal ever fair, or was Maurice quietly the bravest Merchant Ivory all along — a gay romance released at the height of the AIDS crisis that critics undervalued precisely because it refused tragedy?
It's the great pre-Brokeback touchstone of gay period romance — the boathouse, the cricket match, baby-faced Hugh Grant — endlessly cited on Letterboxd as the film that proved a queer love story didn't have to end in punishment.
A canon climber turned Letterboxd sacred text: beloved-but-underseen for decades, now firmly on every 'essential queer cinema' list.