Sightlines · reception

How A Girl Walks Home Alone at Night was received

2014 · Ana Lily Amirpour · A Girl Walks Home Alone at Night on Sightlines

The arc

Buzzed out of Sundance 2014 as 'the first Iranian vampire Western' and rode a wave of hip acclaim; a decade on it's settled into genuine cult-classic status, a fixture of female-directed-horror and moody-black-and-white canon lists rather than a mere marketing hook.

What’s debated

The perennial fight: is it a hypnotic mood piece or all vibes and needle-drops — a style-over-substance debate that never quite gets resolved.

Its footprint

The image of a chador-clad vampire gliding down the street on a skateboard became instantly iconic — the chador flowing like a cape — and it's the shorthand poster-image for 2010s arthouse horror cool.

Where it stands

A Letterboxd cult favorite and a near-mandatory entry on any 'elevated horror' or women-in-horror list from the 2010s.

Did you know? Amirpour has said the idea struck when she put on a chador on a short-film set and felt like a bat — she skateboarded around in it, and the film grew out of her 2011 short of the same name (with Elijah Wood's SpectreVision later boarding as producer).

Named by the director

  • Sergio Leone — Amirpour pitched the film in her own words as what you'd get 'if Sergio Leone and David Lynch had an Iranian rock 'n' roll baby,' citing Leone's spaghetti westerns as a core touchstone.
  • David Lynch — The other half of her own 'Leone and Lynch had an Iranian rock 'n' roll baby' description — she has repeatedly named Lynch as a favorite and a guiding influence on the film's dream logic.

A Deleuzian reading of A Girl Walks Home Alone at Night →