
1969 · Hugo Santiago
How Invasion has been received, argued over, and remembered.
Barely seen for decades — the dictatorship made sure of that, with chunks of its negative stolen in 1978 — it was restored around the turn of the millennium and is now routinely ranked among the greatest Argentine films ever made.
The perennial fan debate is what it even is — sci-fi? dystopia? fantastique? — and whether its story of a city quietly besieged eerily 'predicted' Argentina's state terror seven years before the coup.
Its fictional city of Aquilea — Buenos Aires made strange — has become a cinephile shorthand for the paranoid city, and the Borges connection gives it a literary afterlife few films enjoy: Borges himself described it as the legend of a besieged city defended by men who may not be heroes.
A holy-grail cult object of Latin American cinema — for years a film more discussed than seen, now a badge of deep-cut cinephilia on Letterboxd.