
1994 · Jiang Wen
How In the Heat of the Sun has been received, argued over, and remembered.
It arrived a sensation — a Venice prize, rave notices, and the top-grossing domestic release in China in 1995 — and its stature has only grown since: now routinely ranked among the greatest Chinese-language films of the 1990s and a fixture near the top of Douban's canon.
The perennial fight: is its sun-drenched, nostalgic view of the Cultural Revolution a daring act of subjective memory, or an uncomfortable romanticising of a traumatic era?
In China it's a generational touchstone — the title alone ('sun-drenched days') became shorthand for hazy adolescent memory, and its vision of 1970s Beijing rooftops and courtyards is endlessly referenced in Chinese pop culture and later coming-of-age films.
A 'you must have seen this' of Chinese cinema — the gateway film for Chinese cinephiles and a beloved Letterboxd discovery for everyone else, often ranked above the Fifth Generation classics it upstaged.