← Time to Love
Time to Love poster

Time to Love · reception & legacy

1965 · Metin Erksan

How Time to Love has been received, argued over, and remembered.

The arc

In 1965 it essentially didn't happen — Erksan couldn't get distributors interested and the film went almost entirely unseen for decades. Its rediscovery flipped that completely: it's now routinely called one of the greatest Turkish films ever made.

What's debated

The recurring fan debate is whether its swooning, almost abstract romanticism — a man devoted to an image rather than a person — is profound or precious, and whether its sky-high Letterboxd standing is earned or a rediscovery-hype bubble.

Its footprint

Its hook — falling in love with a photograph instead of the woman herself — is the endlessly quoted premise, and its rain-drenched black-and-white imagery gets shared constantly; the film has become a poster child for the streaming-and-Letterboxd era digging lost masterpieces out of obscurity.

Where it stands

A canon climber and Letterboxd darling — often cited as the highest-rated Turkish film on the platform, and a 'you must see this' rite of passage for anyone exploring Turkish cinema.

★ Did you know? Erksan self-financed the film fresh off winning the Golden Bear at Berlin for Dry Summer (1964), but couldn't secure a commercial theatrical release for it — the film that's now his most beloved was effectively shelved on completion.