
1966 · Sergio Corbucci
How Django has been received, argued over, and remembered.
Dismissed on release as gratuitously violent pulp — it was refused a certificate in the UK and didn't get an official release there until 1993 — Django is now canonised as the essential non-Leone spaghetti western, its stock boosted enormously by Tarantino's very public devotion.
The perennial cinephile fight: is Corbucci the true equal of Leone, and within his own filmography, does Django deserve the crown or is The Great Silence actually his masterpiece?
The image of Django dragging a coffin through the mud is one of the most referenced in all of genre cinema, and the name itself became a franchise: dozens of unofficial 'Django' films borrowed the title, and Tarantino's Django Unchained (2012) — complete with a Franco Nero cameo — made it a household word again.
A cult object turned canon staple — the 'second pillar' of the spaghetti western on every Letterboxd genre list, and the gateway drug to Corbucci's muddier, meaner corner of the genre.